108109) hacker (1991,. . 194196) Strunk white (1979,. . 8081) Crews (1977,. . 109111) hacker (1991,. . 175176) hacker (1991,. . 179) hacker (1991,. . 180181,192193) Strunk white (1979,. . 7576,8184) lamb (2008,. .
187189,191) Crews (1977,. . 105106) hacker (1991,. . 176178,181182) Crews (1977,. . 106107) Crews (1977,. . 107108) hacker (1991,. . 166172) lamb (2008,. . 225226) Crews (1977,. .
1819) sebranek. 21,26,112) gardner (1991,. . 163) sebranek. 112) Strunk white (1979,. . 69) ross-Larson (1999,. . 18) Strunk white (1979,. . 66,68) Crews (1977,. . 100) Crews (1977,. . 100105) hacker (1991,. .
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121 Writer's voice edit not to be confused with Character's voice or Grammatical voice. Writing coaches, teachers, and authors of creative writing books often speak of a writer's voice as distinguished from other literary elements. 122 123 However, as voice is often described vaguely, this distinction may be only superficial. In some instances, voice is defined nearly the same as style; 124 125 in others, as genre, 126 literary mode, 127 128 point of view, 129 or tone. 130 webster gifted (1969) Aquilina (2014) sebranek. 111) Crews (1977,. . 100,129,156) Strunk white (1979,. .
66) hacker (1991,. . 78) ross-Larson (1991,. . 17) sebranek. 85,99,112) Strunk white (1979,. . 69,79,81) ross-Larson (1991,. .
119 " The Strawberry window " (1955) by ray bradbury : In his dream he was shutting the front door with its strawberry windows and lemon windows and windows like white clouds and windows like clear water in a country stream. Two dozen panes squared round the one big pane, colored of fruit wines and gelatins and cool water ices. He remembered his father holding him up as a child. "look!" And through the green glass the world was emerald, moss, and summer mint. "look!" The lilac pane made livid grapes of all the passers-by. And at last the strawberry glass perpetually bathed the town in roseate warmth, carpeted the world in pink sunrise, and made the cut lawn seem imported from some persian rug bazaar.
The strawberry window, best of all, cured people of their paleness, warmed the cold rain, and set the blowing, shifting February snows afire. 120 Letter from Birmingham jail (1963) by martin Luther King,. Moreover, i am cognizant of the interrelatedness of all communities and states. I cannot sit idly by in Atlanta and not be concerned about what happens in Birmingham. Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly. Never again can we afford to live with the narrow, provincial "outside agitator" idea. Anyone who lives inside the United States can never be considered an outsider anywhere within its bounds.
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In apprehension how like a god! The beauty of the world! The paragon of animals! And yet, to me, what is this quintessence of dust? Man delights not me; no, nor woman neither, though by your smiling you seem to say. 117 a tale of Two cities (1859) by Charles Dickens : It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch. 118 Memories of Christmas (1945) by dylan Thomas : One Christmas was so much like another, in those years, around the sea-town corner now, and out of all sound except the distant speaking of the voices I sometimes hear a moment before sleep, that. Griffiths dissertation complained, and we threw a snowball at her niece, and my hands burned so, with the heat and the cold, when I held them in front of the fire, that I cried for twenty minutes and then had some jelly.
Hamlet, act ii, scene 2 (15991602) by william Shakespeare : hamlet. I will tell you why; so shall my anticipation prevent your discovery, and your secrecy to the king and queen moult no feather. I have of late—but wherefore i know not—lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air, look you. What a piece of work is a man! How noble in reason! How infinite in faculty! In form and moving how expressed and admirable! In action how like an angel!
As a result, the reader feels, not like a participant in the writers thought, but like someone receiving instructions or being shown a rapid succession of images. 95 Some methods for writing effective paragraphs: Pursue one main idea 96 97 Place the main idea emphatically 98 99 Choose a suitable pattern of development Link sentences within each paragraph 103 104 Link each paragraph to the next 105 106 Vary the length. " by Thomas paine, changes the overall impact of the message. Times like these try mens souls. How trying it is to live in these times! These are trying times for mens souls. Soulwise, these are trying times. 116 Compare the following passages, and note how the authors convey their messages in different manners, as a result of their choices.
Although good diction is partly a matter of trial and error, of tinkering with sentences until they sound right, it is also a matter of following certain general preferences that careful readers and writers tend to share. 17 Some methods for using diction effectively in plan writing: Use a dictionary and thesaurus 18 19 seek a middle level of diction 20 21 Call things by their names 22 avoid redundancy and circumlocution avoid clichés avoid jargon 29 30 avoid obsolete, archaic, or invented. Seemingly minor improvements—the moving of a clause from one position to another, a shift from the passive to the active voice, even a slight change in rhythm—can make the difference between drab sentences and pointed ones. 54 Some methods for writing effective sentences: avoid irrelevancy 55 make real assertions 56 Rely on the active voice coordinate to show that ideas belong together 60 61 Repeat words, phrases, and clauses for emphasis 62 make series consistent and climactic 63 Subordinate to show. 83 be consistent 84 avoid distracting repetitions of sound 85 Listen for sentence rhythm Use parallel construction keep related words together 92 93 Choice of paragraph structure edit The most important unit of meaning in every literary work is the paragraph. Although each sentence conveys a thought, a literary work is not just a sequence of, say, eighty thoughts; it is rather a development of one central thesis through certain steps. Those steps are paragraphs. Within an effective paragraph the sentences support and extend one another in various ways, making a single, usually complex, unfolding idea.
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In literature, writing style often refers to the manner of expressing thought in language characteristic of an individual, period, school, or nation. 1, however, 'writing style' may also refer to linguistic aspects that identify a particular writer. Thus, style is a term that may refer, at one and the same time, to both conventions that go beyond the individual writer and to singular aspects of individual writing. Beyond the essential elements of spelling, grammar, and punctuation, writing style is the choice of words, sentence structure, and paragraph structure, used to convey the meaning effectively. 3, the former are referred to as rules, elements, essentials, mechanics, or handbook ; the latter are referred to as style, or rhetoric. 4, the rules are about what a writer does; style is about how the writer does. While following the rules drawn from established English usage, a writer has great flexibility in how to express a concept. 5, the point of good writing style is to express the message to the reader simply, clearly, and convincingly; 6 7 8 9 keep the reader attentive, engaged, and interested; 10 good 11 not to display the writers personality; 12 demonstrate the writers skills, knowledge,. 15 16 Contents Choice of words edit diction, or the choice of words, is obviously a central element in every writers style.